MASAYOSHI FUJITA
Tra i
vibrafonisti più conosciuti al mondo, l’artista giapponese di base a Berlino
annuncia
“Book of
Life”, il nuovo album in uscita il 27 luglio per Erased Tapes/Audioglobe
“Book of
Life” è l’ultimo capitolo della trilogia di registrazioni dedicate al
vibrafono, ed arriva dopo “Stories and Apologues” (secondo capitolo) e “Stories”
- il primo dei tre ed anche il primo
dell’artista come Masayoshi Fujita - che, per l’occasione,
verrà ristampato da
Erased Tapes
“Book
of Life” è anticipato dal brano “It’s Magical”:
Book of Life LP/CD/DL pre-order link:
Stories LP/CD/DL pre-order link:
Streaming Services link:
Following on from his acclaimed works Stories and Apologues, Berlin-based composer and vibraphonist Masayoshi Fujita will release his new album Book of Life, the third instalment in a trilogy of solo vibraphone recordings, on July 27th via Erased Tapes. Stories, the first in the series and Masayoshi’s debut under his own name, will be re-issued by Erased Tapes at the same time.
With Book of Life
Masayoshi continues his mission in bringing the vibraphone — a relatively new
invention in the history of instruments often kept in the background in
orchestras and jazz outfits — into the spotlight. Having trained as a drummer,
Masayoshi began experimenting with the vibraphone, preparing its bars with
kitchen foil or beads, playing it with the cello bow such as in Fog or using the other end of the
mallets to create a more ambient texture of sound, as with the title track. Focussing on the vibraphone in this way
sets Masayoshi apart, dedicating his artistic life to celebrating this
fascinating and often under appreciated instrument and making his take on
ambient and modern compositional styles a unique one.
“I think
the vibraphone is capable of more interesting and beautiful sounds that haven’t
been heard before. It’s quite a new instrument but it’s often played in a
similar way. I feel that there is a lot more to explore with this exciting
instrument.”
Book of Life sees Masayoshi expand on his compositional skills, bringing
in more orchestral elements such as strings, flute and even a choir to interact
with the vibraphone. And not just any choir — members of this chorus include
musical friends Peter Broderick, Hatis Noit, David Allred and Shards
who featured on Nils Frahm’s latest album All
Melody. The instruments come to represent characters in Masayoshi’s
stories, hinted at in each accompanying text contained in the album booklet,
which Masayoshi recites at his live performances. They set the scene for each
piece, for example “the
choir in Misty Avalanche is meant to resemble the blizzard, while the vibraphone
is the bird hovering above,” he
explains.
The title track however, was unusual from the start; “Book of Life is very different to my other songs. It was about humans, whereas the other songs are all about animals and nature. And it was improvised initially, whereas normally my songs are composed and planned. This one was free. I scratched the vibraphone bar as if I was writing something. An image connected in my mind: these two people meeting and sharing their lives. This image was the book of life.”
The upbeat lead single It’s Magical features two cellos and a flute as extensions of the vibraphone; “like a man who’s put artificial wings on his arms to attempt to fly like a bird, before an airplane was invented,” says Masayoshi. A different version of the song, called Spaceship Magical, also appears on the Erased Tapes 10th anniversary box set 1+1=X.
“Like most of my songs, It’s Magical started from one simple phrase that I’d played again and again. But at one point I had two very different versions; one acoustic with orchestral arrangement, whilst the other had distorted guitars with electronic bass that perfectly suited the collaborative nature of the label residency when Robert invited me to participate.”
The title track however, was unusual from the start; “Book of Life is very different to my other songs. It was about humans, whereas the other songs are all about animals and nature. And it was improvised initially, whereas normally my songs are composed and planned. This one was free. I scratched the vibraphone bar as if I was writing something. An image connected in my mind: these two people meeting and sharing their lives. This image was the book of life.”
The upbeat lead single It’s Magical features two cellos and a flute as extensions of the vibraphone; “like a man who’s put artificial wings on his arms to attempt to fly like a bird, before an airplane was invented,” says Masayoshi. A different version of the song, called Spaceship Magical, also appears on the Erased Tapes 10th anniversary box set 1+1=X.
“Like most of my songs, It’s Magical started from one simple phrase that I’d played again and again. But at one point I had two very different versions; one acoustic with orchestral arrangement, whilst the other had distorted guitars with electronic bass that perfectly suited the collaborative nature of the label residency when Robert invited me to participate.”
His new album arrives at a time of renewed interest for
percussive, ambient music following the reissue of minimalist composer Midori Takada’s seminal album Through The Looking Glass last year and
compounded by the comeback of Ryuichi Sakamoto, whose cinematic
compositions parallel Masayoshi’s storytelling soundscapes. BBC Radio 3
confirmed this renaissance of Japanese music and culture, dedicating their
recent Night Blossoms season to new
experimental artists, including fellow Erased Tapes vocal performer Hatis Noit.
Masayoshi
previously released two albums under his alias El Fog that touched on the vibraphone but appeared mostly in a
supporting role, accompanying his intricate electronic production. Much like
his instrument, he has often been a collaborator as opposed to a front man —
his sympathetic musicianship complimenting a variety of creative outputs. Most
frequently with the adventurous German producer Jan Jelinek. Their most recent offering Schaum displays a dialogue between the two that makes it hard to
tell just where Fujita’s vibraphone ends and Jelinek’s whirring loops begin.
Another fruitful partnership was the experimental Needle Six piece, a BBC Radio 3 recording of an improvised session with UK
electronic artist Guy Andrews for
Late Junction. The mesmeric and compelling 30-minute piece was released for
Record Store Day in 2016. In addition his label peer and fellow Berlin resident
Nils Frahm mastered Stories, providing a fitting symmetry to
its re-issue on Erased Tapes now.
Book of Life will be released by Erased Tapes on July 27th, 2018 with Stories reissued on the same day.
Praise
for his previous album, Apologues:
“A
pristine dream magic seems to inform Apologues—the fluid serenity of the music
projects a lulling, murmured unreality that suggests that the album is a
figment of the listener’s imagination even while it is in play” 8.2 —
Pitchfork
“Quaint
string motifs flow smoothly into a neo-romantic wave of yearning, and shyly
recoil back into a state of introspection” — Crack Magazine
“Fujita’s
gilded, dream-like recollections keep their shape without gravity keeping them
down” — The Line Of Best Fit
“Beautiful
and playful… It’s a brief foray into a very nuanced world, a master craftsman
plucking at your heartstrings mercilessly, and one you don’t really want to
come out of” 8/10 — Drowned In Sound
Ufficio
Stampa
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