mercoledì 19 ottobre 2016

Kathryn Williams & Anthony Kerr - "Resonator" - In Uscita 11/ 11 per One Little Indian - Audioglobe (album di standard jazz rivisti dalla voce folk e un monumento del jazz inglese )

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KATHRYN WILLIAMS & ANTHONY KERR
"Resonator"
 in uscita l'11 novembre per One Little Indian / Audioglobe


la voce del folk inglese (nominata anche ai Mercury Awards) incontra un mito del jazz ed il risultato è uno straordinario album in cui vengono ripresi i classici standard jazz già interpretati da monumenti della musica come Eva Cassidy, Edith Piaf, Frank Sinatra...




Il primo singolo è "Autumn Leaves" qui:   

Mercury nominated and critically acclaimed folk artistKathryn Williamshas teamed up with revered jazz musician and vibraphone playerAnthonyKerr,to create an album of complete re-imaginings of classic jazz standards, including brand new single 'Autumn Leaves'. Previously performed by greats such as Eva Cassidy, Doris Day, Edith Piaf and Frank Sinatra, Kathryn and Anthony's version of the infamous song is hushed and delicate – Williams' signature vocal tip-toes over lush, rich vibraphones.

Williams' forthcoming album'Resonator'strips away the bombast of previous versions of much loved songs such as"My Funny Valentine"and"Stormy Weather", leavingthem exposed andyearning – exuding a dream-like and hypnoticluminosity. 
The intent was to 'reclaim' these wonderful songs that have seen multiple cover versions over the years, and rearrange them, bringing them back to their mostrudimentarystate -rebuilding them to make fresh of what has been heard so much. Kathryn and Anthony have revealed true beauty in these old songs, with their fragile delivery both vocally and instrumentally;Williams' signature vocals enriched by soft, lushvibraphones, distant jazz trumpet and double bass.   
The pair wereintroduced six years ago through composerKate St John, and Anthony went on to play on Kathryn's first release viaOne Little Indian, 'The Quickening'. They came up with an idea of re-workinga collection ofjazz standards, and began to put the wheels in motion – meeting up to demo ideas and recreate countless versions of the songs. In Kathryn's words: "I was imaginingthe songsas tired horses whohadbeen whipped by big egos and we were taking them in,taking off their saddles and setting them free in a field." 
Kathrynisn't new touniquecollaborations. The prolific musician has previously worked and toured withJohnMartyn,ChrisDifford(Squeeze), Bombay Bicycle Club,DavidGray, RayLamontagne, and made two further albums asa memberof bandsTheCrayonettesand The Pond.However, shesaysthat Anthony's knowledge of jazz is boundless in comparison to her own. Kathryn grew up listening to Ella Fitzgerald, Chet Baker and Charlie Byrd, although she wouldn’tclaim to be an aficionado of the genre. And this only serves to make these re-imagined songs more interesting than they ever could have been had we heard two masters of jazzre-write and performthem. Kathryn bringselegance and vulnerability to therecord, searching for the heart of every song and laying it bare. 
The critically lauded singer-songwriter doesn't stick to a tried and tested formula when she writes a new album. Last year saw thecelebratedmusician release"Hypoxia" - an album inspired by SlyviaPlath's The Bell Jar, to commemorate the 50thAnniversary of Plath's life and work. The singer-songwritercollaborated with trailblazing musicianEd Harcourt and also wrotea track (Cuckoo) on the album. And Williams has been known to worktirelessly to push herself outside of her comfort zone and reassess pre-conceived ideas about where her music 'fits'. Increasingly Kathryn finds herself leaning towards the unknown. Her motto is: “The need to make something is reason enough.”


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